FIBRE ART AND OPEN AIR
I live and I work in a forest environment, in Picardie. These ever changing surroundings have a great impact on my artistic approach.
EN FILIGRANE, In the sky of Picardy, September 2018 - Á L'ECART, In the forest of Blanchefort, September 2019
I try to underline a feeling of fragility by placing lacy, transparent textile pieces in the city, forest or river spaces.
I use the notions of flexibility and transformation to do very light, ephemeral installations ; alternately traps or offering, my structures are never frozen, they vibrate between light and shadow, they move in the wind, in a succession of contradictory images, which reflect a plural reality.
EN OBLIQUE, Forêt d'Halatte, April 2018 - Villa Datris, l'Isle sur la Sorgue, September 2018
PARTITIONS, Forêt d'Halatte, October 2016 - Garden of Priory, Genest, Summer 2017
ANTIDOTE, Aumont, January 2016 - EFFERVESCENCE, City Museum, Belgrade, Serbia, April 2016
The gift ribbon is one of my favorite materials ; it is common, it becomes very promptly discarded, but it is also attractive, a symbol of presents, joy and feasts. By playing with this ambivalence, I braid it into eye catching nets, to do fleeting and seemingly paradoxical installations.
With its weightiness, its flexibility, its excellent resistance to bad weather, I am able to transform and recycle my works many times, and to offer another image to this poor material that is in fact pretty expensive.
DEBORDEMENT, Forêt d'Halatte, November 2015 - EFFERVESCENCE, City Museum, Belgrade, Serbia, April 2016
"En Contrepoint", Aumont, April 2013 - SUITE LUNATIQUE, Château de Villevêque, 2014
HORS-SERIE, Manoir de Couesme, September 2013 - EQUIVOQUE, Ploumagoar, September 2015
INTERVALLES, En Contrepoint, Aumont, summer 2011 - Forêt d'Halatte, November 2011
HORS SERIE, Manoir de Couesme, autumn2013 - IMPROMPTU, Drée, summer 2014
ENTRE-DEUX, Stosswirh, spring 2006 - LEÏTMOTIV, Landen, summer 2007
When I work in public space, I enter the people's daily setting. Even if my Installations are fleeting, they create a slight change of scenary for passerbys ; I think it is never anodyne, and I emphasize each time about the harmless, aerial and temporary aspect of my landscaping Installations.
ECLOSION, Jardin Mosaïc, May - November 2015
SUITE LUNATIQUE Château de Villevêque, 2014
ARTEFACT Bois de Belle Rivière, Québec, summer 2010 - winter 2012
L'ENTRETEMPS, Vern sur Seiche, summer 2009
