I live and I work in a forest environment, in Picardie. These ever changing surroundings have a great impact on my artistic approach.


EN FILIGRANE,  In the sky of Picardy,  September 2018   -    Á L'ECART,  In the forest of Blanchefort,  September 2019

I try to underline a feeling of fragility by placing lacy, transparent textile pieces in the city, forest or river spaces.

I use the notions of flexibility and transformation to do very light, ephemeral installations ; alternately traps or offering, my structures are never frozen, they vibrate between light and shadow, they move in the wind, in a succession of contradictory images, which reflect a plural reality.


EN OBLIQUE,   Forêt d'Halatte,  April 2018   -   Villa Datris,    l'Isle sur la Sorgue,   September 2018

PARTITIONS,  Forêt d'Halatte,   October 2016   -    Garden of Priory,  Genest,    Summer 2017

ANTIDOTE,   Aumont,  January 2016   -   EFFERVESCENCE,   City Museum,  Belgrade,  Serbia,  April 2016

DEBORDEMENT,  Forêt d'Halatte,  November 2015   -   EFFERVESCENCE,   City Museum,  Belgrade,   Serbia,  April 2016

Both solid and fragile, shells devoid of any contents, the artificial shapes seep, ripple, get through space and interact with the chosen sites. 


"En Contrepoint",  Aumont, April 2013   -   SUITE LUNATIQUE,  Château de Villevêque,  2014

HORS-SERIE, Manoir de Couesme,  September 2013    -    EQUIVOQUE, Ploumagoar,  September 2015

INTERVALLES,  En Contrepoint,  Aumont,  summer 2011   -   Forêt d'Halatte, November 2011

 HORS SERIE, Manoir de Couesme,   autumn2013   -   IMPROMPTU,  Drée,  summer 2014

When I work in public space, I enter the people's daily  setting. Even if my Installations are fleeting, they create a slight change of scenary for passerbys ; I think it is never anodyne, and I emphasize each time about the harmless, aerial and temporary aspect of my landscaping Installations.


 ENTRE-DEUX,    Stosswirh,    spring 2006   -   LEÏTMOTIV,    Landen,    summer 2007        

ECLOSION,    Jardin Mosaïc,    May  -  November 2015

SUITE LUNATIQUE   Château de Villevêque,  2014

 ARTEFACT  Bois de Belle Rivière,  Québec,  summer 2010   -   winter 2012

I choose trivial materials, I craft them with primitive textile techniques to produce simple geometric shapes, then I install these flexible structures in different aeras. Most often, I use gift wrap ribbon, of course because I am particularly aware of its symbol of present and festive events and I like its hues, its lightness, its fluidity, its weather resistance.

 L'ENTRETEMPS,  Vern sur Seiche,  summer 2009

IMPROMPTU,  Drée,  summer 2014